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Sound of My Voice Review: Revolutionary Filmmaking

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Where to begin with Sound of my Voice? As the movie commences is the place. There is no exposition. In fact, there is hardly a word spoken for almost 10 minutes. The audience must buckle up because the next 84 minutes are a ride.

Christopher Denham and Nicole Vicius in Sound of My Voice
Christopher Denham and Nicole Vicius portray Peter and Lorna. They are a couple who are apparently allowing themselves to be bound, blindfolded and taken in a van a house in The Valley near Los Angeles. There is reason behind what appears to be madness. But, we will not be sharing that with you today. We will say this, Peter and Lorna are being brought to a cult and are working their way into being accepted the group.

The collective is led by Maggie (Marling). She is a mysterious soul who claims to be from the future. The house is barren. Yet there is a buzzing power to it. We as the audience are drawn there as is the couple at the center of Sound of My Voice. It quickly becomes difficult to discern between infiltration and possession.

Marling, after wowing in last year's Another Earth, crafts a yarn with director and co-writer Zal Batmanglij that is wickedly original. In some ways their story is a simple one. Yet upon further reflection Sound of My Voice it's basic in premise alone. In execution, it is a marvel of multi-layered mastery of the art of film.

Music is used sparingly. In fact, hearing a Cranberries song in one scene is simultaneously hilarious and a plot shaking scene.

What Marling showed in Another Earth that if you dreamed big and filmed within your means -- with a stellar story -- movie magic happens. In her latest, we have a film that chills, inspires and emotes the entire human emotional scale. It is a marvel of modern filmmaking.

Review

Editor Rating: 5.0 / 5.0
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User Rating:

Rating: 5.0 / 5.0 (1 Vote)
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    Bhaha

    Thanks for your thgohuts!I never thgohut of Aladdin as ADD-infused, except for the Genie stuff. I feel like there are recent movies that are way more ADD-infused. You can think of Michael Bay movies as made for the ADD crowd, and they would be great if any of it were interesting.With all these scripts that I’ve been reading, and with a lot of movies that I’ve seen, I’ve noticed that everything that needs to be resolved is set up in the first 20 pages or so–this is the hero, this is the girl he likes, this is the problem, this is the goal–then the rest of the movie is spent just checking those boxes off the list. That’s boring and I never wonder what’s going to happen next.There are plenty of movies that I like that are fairly predictable, but I’m just finding myself more interested in movies where I have no idea what’s going to happen next, because it’s so rare to actually feel that way during a movie.