[to invisible Harry and Ron] If, er, anybody was looking for some stuff, then all they have to do is follow the spiders. Yep. That'd lead 'em right. That's all I have to say. Oh, and someone'll need ter feed Fang while I'm away.

Hagrid

[connected to Cerebro] These lights represent every living person on the planet. These white lights are the humans... and these are the mutants. You see, Logan? We're not as alone as you think.

Professor X

Steven: You get a deer?
Michael: Naa man
Steven: C'maaan! You didn't get a DEE-E-EAH?

Ace Ventura: [bending over and talking from his behind] Excuse me. I'd like to "ass" you a few questions.
Emilio: Ace, this is not the time. If Einhorn comes down here and sees me talking to you or your ass, I'm history.

[after shooting Barney] Come on, stand up. You'll feel better.

Stonebanks

Ripley: That's amazing. What is it?
Ash: Uh, yes, it is. Umm. I don't know yet. Did you want something?
Ripley: Yes, I, uh... have a little talk. How's, uh, how's Kane?
Ash: He's holding, no changes.
Ripley: And, uh, our guest?
Ash: Umm.
Ripley: Hmm?
Ash: Well, as I said, I'm still... collating, actually, but uh, I have confirmed that he's got an outer layer of protein polysaccharides. Has a funny habit of shedding his cells and replacing them with polarized silicon, which gives him a prolonged resistance to adverse environmental conditions. Is that enough?
Ripley: That's plenty. What does it mean?
[Ripley bends down to look through the micro-scanner]
Ash: Please don't do that. Thank you.
Ripley: I'm sorry.
Ash: Well, it's an interesting combination of elements making him a... tough little son-of-a-bitch.
Ripley: And you let him in.
Ash: I was obeying a direct order. Remember?
Ripley: Ash. When Dallas and Kane are off the ship, I'm Senior Officer.
Ash: Oh, yes, I forgot.
Ripley: You also forgot the Science Division's basic quarantine law.
Ash: No, that I didn't forget.
Ripley: Oh, I see, you just broke it. Hmm?
Ash: Look, what would you have done with Kane, hmm? You know his only chance of survival was to get him in here.
Ripley: Unfortunately, by, uh, breaking quarantine, you risk everybody's life.
Ash: Maybe I should have left him outside. Maybe I've jeopardized the rest of us, but it was a risk I was willing to take.
Ripley: That's a pretty big risk for a Science Officer. It's, uh, not exactly out of the manual, is it?
Ash: I do take my responsibilities as seriously as you, you know. You do your job and let me do mine, yes?

I was thrown out of N.Y.U. my freshman year for cheating on my metaphysics final, you know. I looked within the soul of the boy sitting next to me. When I was thrown out, my mother, who was an emotionally high-strung woman, locked herself in the bathroom and took an overdose of Mah-Jongg tiles. I was depressed at that time. I was in analysis. I was suicidal as a matter of fact and would have killed myself, but I was in analysis with a strict Freudian, and, if you kill yourself, they make you pay for the sessions you miss.

Alvy Singer

Stef: Wait, wait, wait, wait, wait, wait, wait, stop, stop! You can't do this.
Data: Why?
Mikey: Why?
Stef: Because these are somebody else's wishes. They're somebody else's dreams.
Mouth: Yeah, but you know what? This one, this one right here. This was my dream, my wish. And it didn't come true. So I'm taking it back. I'm taking them all back.

[videotaping Kale and Sarah making out] Soon you'll be the most popular video on Youtube.

Ronnie

George: I used to think a wedding was a simple affair. Boy and girl meet, they fall in love, he buys a ring, she buys a dress, they say I do. I was wrong. That's getting married. A wedding is an entirely different proposition. I know. I've just been through one. Not my own, my daughter's. Annie Banks Mackenzie. That's her married name: Mackenzie. You fathers will understand. You have a little girl. An adorable little girl who looks up to you and adores you in a way you could never have imagined. I remember how her little hand used to fit inside mine. Then comes the day when she wants to get her ears pierced, and wants you to drop her off a block before the movie theater. From that moment on you're in a constant panic. You worry about her meeting the wrong kind of guy, the kind of guy who only wants one thing, and you know exactly what that one thing is, because it's the same thing you wanted when you were their age. Then, you stop worrying about her meeting the wrong guy, and you worry about her meeting the right guy. That's the greatest fear of all, because, then you lose her. It was just six months ago that that happened here. Just six months ago, that the storm broke.

Smith: Clear.
Second Officer Charles Herbert Lightoller: Yes. I don't think I've ever seen such a flat calm.
Smith: Like a mill pond, not a breath of wind.
Second Officer Charles Herbert Lightoller: It will make the bergs harder to see... with no breaking water at the base.
Smith: Hmm. Well, I'm off. Mantain speed and heading, Mr. Lightoller.
Second Officer Charles Herbert Lightoller: Yes, sir.

Nika Boronina: The woman, two tables behind you - what's she wearing?
Agent 47: The one with the red hair and the silk dress - facing you?
Nika Boronina: Yeah.
Agent 47: That's not a woman.
[we see the "woman" behind him is obviously a transvestite. Nika smiles]

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