Ennis Del Mar: I'm gonna tell you this one time, Jack fuckin' Twist, an' I ain't foolin'. What I don't know - all them things that I don't know - could get you killed if I come to know them. I ain't jokin'.
Jack Twist: Yeah well try this one, and I'll say it just once!
Ennis Del Mar: Go ahead!
Jack Twist: Tell you what, we coulda had a good life together! Fuckin' real good life! Had us a place of our own. But you didn't want it, Ennis! So what we got now is Brokeback Mountain! Everything's built on that! That's all we got, boy, fuckin' all. So I hope you know that, even if you don't never know the rest! You count the damn few times we have been together in nearly twenty years and you measure the short fucking leash you keep me on - and then you ask me about Mexico and tell me you'll kill me for needing somethin' I don't hardly never get. You have no idea how bad it gets! I'm not you... I can't make it on a coupla high-altitude fucks once or twice a year! You are too much for me Ennis, you sonofawhoreson bitch!

Henry Hill: You're a pistol, you're really funny. You're really funny.
Tommy DeVito: What do you mean I'm funny?
Henry Hill: It's funny, you know. It's a good story, it's funny, you're a funny guy.
Tommy DeVito: What do you mean, you mean the way I talk? What?
Henry Hill: It's just, you know. You're just funny, it's... funny, the way you tell the story and everything.
Tommy DeVito: [it becomes quiet] Funny how? What's funny about it?
Anthony Stabile: Tommy no, You got it all wrong.
Tommy DeVito: Oh, oh, Anthony. He's a big boy, he knows what he said. What did ya say? Funny how?
Henry Hill: Jus...
Tommy DeVito: What?
Henry Hill: Just... ya know... you're funny. Tommy DeVito: You mean, let me understand this cause, ya know maybe it's me, I'm a little fucked up maybe, but I'm funny how, I mean funny like I'm a clown, I amuse you? I make you laugh, I'm here to fuckin' amuse you? What do you mean funny, funny how? How am I funny?
Henry Hill: Just... you know, how you tell the story, what?
Tommy DeVito: No, no, I don't know, you said it. How do I know? You said I'm funny. How the fuck am I funny, what the fuck is so funny about me? Tell me, tell me what's funny!
Henry Hill: [long pause] Get the fuck out of here, Tommy!
Tommy DeVito: [everyone laughs] Ya motherfucker! I almost had him, I almost had him. Ya stuttering prick ya. Frankie, was he shaking? I wonder about you sometimes, Henry. You may fold under questioning.

Buzz Gunderson: What's that?
Judy: That's a new disease.

Ratso Rizzo: I gotta get outta here, gotta get outta here. Miami Beach, that's where you could score. Anybody can score there, even you. In New York, no rich lady with any class at all buys that cowboy crap anymore. They're laughin' at you on the street.
Joe Buck: Ain't nobody laughin' at me on the street.
Ratso Rizzo: Behind your back, I've seen 'em laughin' at you, fella.
Joe Buck: Aw, what the hell you know about women anyway? When's the last time you scored, boy?
Ratso Rizzo: That's a matter I only talk about at confession. We're not talkin' about me now.
Joe Buck: And when's the last time you've been to confession?
Ratso Rizzo: It's between me and my confessor. And I'll tell ya another thing. Frankly, you're beginning to smell. And for a stud in New York, that's a handicap.
Joe Buck: Well, don't talk to me about clean. I ain't never seen you change your underwear once the whole time I've been here in New York. And that's pretty peculiar behavior.
Ratso Rizzo: I don't have to do that kind of thing in public. I ain't got no need to expose myself.
Joe Buck: No, I bet you don't. I bet you ain't never even been laid! How about that? And you're gonna tell me what appeals to women!
Ratso Rizzo: I know enough to know that that great big, dumb cowboy crap of yours don't appeal to nobody except every jockey on 42nd Street. That's faggot stuff! You wanna call it by its name? That's strictly for fags!
Joe Buck: John Wayne! You wanna tell me he's a fag? I like the way I look. It makes me feel good. It does. And women like me, god-dammit. Hell, only one thing I've ever been good for is lovin'. Women go crazy for me. That's a really true fact. Ratso, hell: Crazy Annie, they had to send her away.
Ratso Rizzo: Then how come you ain't scored once, the whole time you've been in New York?
Joe Buck: 'Cause, 'cause I need management, god-dammit. 'Cause you stole twenty dollars offa me. That's why you're gonna stop crappin' around about Florida. And, and get your skinny butt movin.' And earn twenty dollars worth of management which you owe me.

John: Jesus, Plank, couldn't you have got smokeless cartridges? I can't see a bloody thi - Ah! Shit! I've been shot!
Dog: I don't fucking believe this! Can everyone stop gettin' shot?

Cock it!

Ed

David: See, I've got this little problem. I've got a stalker.
Sofía: It doesn't sound life threatening.
David: But I need a cover. I need for you to pretend we're having a scintillating conversation, and you are wildly entertained.
[Both laugh]
David: I know it's tough.
Sofía: I'll improvise.

Briony Tallis, aged 13: Cee?
Cecilia Tallis: Yes?
Briony Tallis, aged 13: Why don't you talk to Robbie anymore?
Cecilia Tallis: I do. We just move in different circles, that's all.

[observing the Panic Room, with cameras and a steel door] My room! definitely my room!

Sarah

Susan Storm: You don't want to walk around on fire for the rest of your life, do you?
Johnny Storm: Is that a trick question?

Peter La Fleur: Hang on a second. You wanna become a cheerleader to prove you are not a loser?
Justin: Yeah. Why?
Peter La Fleur: Nothing. High school's changed a bit since I was a kid.

I'm very little! You cheat very big!

Short Round

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