Emily Appleton: You're a treasure hunter, aren't you?
Jeb Wilkinson: I'm just a man, trying to make his mark on history.

Aureilo: Where did you get that car?
Iosef Tarasov: What does it matter?

Appearances can be... deceptive.

Chad Feldheimer

Malcolm Crowe: Once upon a time there was this person named Malcolm. He worked with children. He loved it. He loved it more than anything else. And then one night, he found out that he made a mistake with one of them. He couldn't help that one. And he can't stop thinking about it, he can't forget. Ever since then, things have been different. He's not the same person that he used to be. And his wife doesn't like the person that he's become. They barely speak anymore, they're like strangers. And then one day Malcolm meets this wonderful little boy, a really cool little boy. Reminds him a lot of the other one. And Malcolm decides to try and help this new boy. 'Cause he feels that if he can help this new boy, it would be like helping that other one too.
Cole Sear: How does the story end?
Malcolm Crowe: I don't know.

Veronica Sawyer: All we want is to be treated like human beings, not to be experimented on like guinea pigs or patronized like bunny rabbits.
Veronica's Dad: I don't patronize bunny rabbits.

C'mon Hobbs, knock the cover off the ball!

Pop Fisher

Jay: So all we's gotta do is stop this fuckin' movie from getting made!
Holden: Yeah, and forego the hundreds of thousands of dollars you would be entitled to in the process. What are you, fucking retarded? I mean, I don't think I'm alone in the world in imagining this flick may be the worst idea since Greedo shooting first. You know it, but... a Jay and Silent Bob movie? Feature length? Who'd pay to see that?

Hey, hey, Terminal Entertainment? This is a crime scene, all right?

Detective Wallace

[to Wakefield] There are a lot of interests in this town. FBI, CIA, DEA, ATF, IRS. Right now they're scared of you.

Chief of Staff

Claire Standish: [about her folks] I don't think either one of them gives a shit about me. It's like they use me just to get back at each other.
Allison Reynolds: [her first words of dialogue so far] Ha!
Claire Standish: [pauses] Shut up!

[referring to woman in feminism group] I could not concentrate on what this old man was saying.

Borat

Princess Vespa: So, where are you from?
Lone Starr: Who knows?
Princess Vespa: You don't know where you're from?
Lone Starr: Not really. I was left on the doorstep of a monastery.
Princess Vespa: A monastery? Where?
Lone Starr: Somewhere in the Ford Galaxy.

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