Your mom kinda freaked me out.

[entering William's bedroom] So... This is where the enemy sleeps.

[Regarding the t-shirt]
Russell Hammond: Can we just skip the vibe, and go straight to us laughing about this?
Jeff Bebe: Yeah, okay.
Russell Hammond: Because I can see by your face, you want to get into it.
Jeff Bebe: How can you tell? I'm just one of the out-of-focus guys.

You, Aaron, are what it's all about. You're real. Your room is real. Your friends are real. Real, man, real. You know? Real. You're more important than all the silly machinery. Silly machinery. And you know it! In 11 years its going to be 1984, man. Think about that!

William Miller: [on meeting Stillwater] Russell. Jeff. Ed. Larry. I really love your band. I think the song "Fever Dog" is a big step forward for you guys. I think you guys producing it yourselves, instead of Glyn Johns, was the right thing to do. And the guitar sound... is incendiary. Incendiary. Way to go.
Russell Hammond: Well, don't stop there!
Jeff Bebe: Yeah, come back here! I'm incendiary, too, man!

Jeff Bebe: I can't say anymore with the writer here.
Russell Hammond: No, no, no. You can trust him, you can say whatever you want.
Jeff Bebe: I work just as hard or harder than anybody on that stage. You know what I do? I connect. I get people off. I look for the one guy who isn't getting off, and I make him get off. THAT you can print!

Write what you want.

Elaine Miller: This is not some ignorant mother you're speaking to. I know all about your decadence and I should not have let him go. He's not ready for your world of compromised values and diminished brain cells that you throw away like confetti. Am I speaking to you clearly?
Russell Hammond: Yes ... yes, ma'am.

[Russell grabs phone from William] Hey, mom! Its Russell Hammond. I play guitar in Stillwater. Hey, how does it feel to be the mother of the greatest rock journalist we've met? Hello? Hello? Look, you've got a really great kid here. There's nothing to worry about. We're taking good care of him, and you should come to the show sometime - join the circus...

I hurt the flower.

William Miller: Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you? Like "Love Thing," where did you write that and who was it about?
Russell Hammond: When did you get so professional?

Russell Hammond: And you can tell Rolling Stone magazine that my last words were... I'm on drugs!
[crowd cheers]
William Miller: Russell! I think we should work on those last words!
Russell Hammond: I got it, I got it. Last words ... I dig music.
[silence] I'm on drugs!!

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