Mark "Rent-boy" Renton: [narrating] This was typical of Mikey Forrester.
Mark "Rent-boy" Renton: What the fuck are these?
Mark "Rent-boy" Renton: [narrating] In the normal run of things, I would have nothing to do with the cunt. But this was not the normal run of things.
Mikey Forrester: Opium suppositories. Ideal for your purposes. Slow release. Bring you down gradual. Custom fucking designed for your needs.
Mark "Rent-boy" Renton: I want a fucking hit!
Mikey Forrester: That's all I've got, matey, take it or leave it.
[Renton considers this and eventually takes the Opium suppositories and inserts them]
Mikey Forrester: Aye, you feel better the now right?
Mark "Rent-boy" Renton: Oh, yeah, for all the good they've done me, I might as well have stuck them up my arse!

So what we'll be calling on is blunt force trauma... heavy duty punches that'll rattle his ancestors... let's start building some hurting bombs.


Dr. Grace Augustine: What are you gonna do, Ranger Rick? Huh, you gonna shoot me?
Col. Quaritch: I could do that.

Capt. Ramsey: Mr. Hunter, we have rules that are not open to interpretation, personal intuition, gut feelings, hairs on the back of your neck, little devils or angels sitting on your shoulder. We're all very well aware of what our orders are and what those orders mean. They come down from our Commander in Chief. They contain no ambiguity.
Hunter: Captain...
Capt. Ramsey: Mr. Hunter. I've made a decision. I'm Captain of this boat. NOW SHUT THE FUCK UP!

Take a good look my dear. It's an historic moment you can tell your grandchildren about - how you watched the Old South fall one night.

Rhett Butler

Do me a favor and go have a period!

Frankie Ballenbacher

[to Anne and Mary] I am Katherine, Queen of England, the King's one true wife and mother of the heir to the throne. Beloved of the people, and beloved of a King you have bewitched.

Katherine of Aragon

If we pull this off, we change the game. We change the game for good.

Billy Beane

It hurts, doesn't it? Your hopes dashed, your dreams down the toilet. And your fate is sitting right besides you.

Teddy KGB

Carson Wells: Buenos dias. I'm guessing this isn't the future you had pictured for yourself when you first clapped eyes on that money. Don't worry, I'm not the man who's after you.
Llewelyn Moss: I know that. I've seen him.
Carson Wells: You've seen him? And you're not dead? Huh.

Cal Hockley: You're a good liar.
Jack: Almost as good as you.

George Hanson: You know, this used to be a helluva good country. I can't understand what's gone wrong with it.
Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different things. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
Billy: Well, it don't make 'em runnin' scared.
George Hanson: No, it makes 'em dangerous. Buh, neh! Neh! Neh! Neh! Swamp!

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