Joe Gillis: Tell her, Max. C'mon, do her that favor. Tell her there isn't going to be any picture. Tell her there are no fan letters other than the ones you write.
Norma Desmond: It's not true! Max!
Max Von Mayerling: Madame is the greatest star of them all.
Policeman: [calling on the phone] Coroner's office. Who's on this line?
Hedda Hopper: [in Norma's room, on the phone] I am. Now, get off. This is more important.
[Joe is reading Norma's script] Sometimes it's interesting to see just how bad bad writing can be. This promised to go the limit.Joe Gillis
Max Von Mayerling: There were three young directors who showed promise in those days: D. W. Griffith, Cecil B. DeMille, and Max Von Mayerling.
Joe Gillis: And she made you her servant.
Max Von Mayerling: It was I who asked to come back. I could have continued my career, but I found it unbearable after she'd left me. You see, I was her first husband.
Max Von Mayerling: You see those offices up there? That was Madame's dressing room, the whole row.
Joe Gillis: Didn't leave much for Wallace Reid.
Max Von Mayerling: Oh, he had a big bungalow on wheels.
Yes, this is Sunset Blvd., Los Angeles, California. It's about five 0'clock in the morning. That's the homicide squad, complete with detectives and newspaper men.Joe Gillis
Betty Schaefer: I've been hoping to run into you.
Joe Gillis: What for? To recover that knife you stuck in my back?
First assistant director: I understand she
First assistant director: was a terror to work with.
Cecil B. DeMille: Only toward the end. You know, a dozen press agents working overtime can do terrible things to the human spirit.
Now back to the typewritters by way of Washington Square.Joe Gillis
The stars are ageless, aren't they?Norma Desmond
Without me, there wouldn't be any Paramount studio.Norma Desmond
Betty Schaefer: Where have you been keeping yourself? I've got the most wonderful news for you.
Joe Gillis: I haven't been keeping myself at all, lately.